Old Hollywood Movie Reviews

Old Hollywood Movie Reviews: Musicals, Westerns, Comedies, Dramas, Mysteries - all the classic movies that make the Golden Age of Hollywood magical!

Ingrid Bergman in Dr. Jekyll and Mr. Hyde (One of the GREAT Performances)

November 9, 2018 By Joi Leave a Comment

Ingrid Bergman as Ivy in Dr. Jekyll and Mr. Hyde

One of the things that I get the biggest kick out of is becoming totally infatuated with a star I had never really gotten past the friends stage with. When you watch a LOT of classic movies, it tends to happen. As I’ve often said on this blog, one of the problems for me is that I tend to watch movies staring my absolute favorites… so I often miss stars that would easily become favorites if I simply gave them a chance!

Ironically Ingrid Bergman is a perfect example. While I had seen a few of her movies (Casablanca and Rage in Heaven), I hadn’t witnessed the full range of her talent and magnetism. I recently came face to face with both in Dr. Jekyll and Mr. Hyde and she BOLTED into my top five favorite actresses. I went from “liking her perfectly fine” to “Got to get my hands on every Ingrid Bergman movie made!”

True to form, I watched Dr. Jekyll and Mr. Hyde (1941) because it starred a personal favorite (Lana Turner – who is also wonderful in this movie). I expected to love Lana – after all, I’ve always loved Lana! – but I didn’t expect for another star to steal the movie right out from under her!

Shhh, don’t tell Lana.

Ingrid Bergman stars as Ivy in the movie and every single second she’s on the screen is magical. She absolutely takes your breath away – and you don’t mind it a bit. Playfulness, fear, flirtation, heartache… she squeezes all that can be squeezed from each emotion and then some.

In short, it’s just a joy to behold. It’s performances like this that remind us why we love movies as much as we do – especially the classic ones because they have the best stories to tell and, in my opinion, tell them best.

The 1941 version of Dr. Jekyll and Mr. Hyde isn’t, if I’m being honest, the most handsome soldier in line. Is it good? Yes. Great? Well… that’s a tough one. Ingrid Bergman (Ivy) and Lana Turner (Beatrix) are great. They’re wonderful, make no mistake about it.

The story is also great. That’s why it consistently stands the test of time. Everyone will always know and talk about Dr. Jekyll and Mr. Hyde.

So what keeps me from calling the movie, itself, great? I hate to say anything negative about a wonderful actor that I think the world of (Spencer Tracy), but his portrayal of Mr. Hyde is pretty distracting. The makeup – over the top. The expressions – over the top. Naturally, these are only my opinions but if someone had reigned him and the makeup department in a bit, this would have been (without question) a great movie.

Oddly enough, Spencer is fantastic as Dr. Jekyll. He’s the charming, wonderful, warm actor we all know and love.

Then comes that cursed, creepy Dr. Hyde!

Having said all of this, it is most definitely a movie worth watching. The performance of the two actresses, alone, should make this a movie you either watch or re-watch right away.

Now, if you’ll excuse me, I have some (Ingrid Bergman DVDs) shopping to do on Amazon!

A Scene from Dr. Jekyll and Mr. Hyde:

Movie of the Month Review: Sanctuary (1961) with Lee Remick and Odetta

November 1, 2018 By Joi Leave a Comment

Lee Remick (Temple) and Odetta (Nancy) in Sanctuary

Ready for an understatement? I watch a lot of old movies. A. LOT. OF. OLD. MOVIES. Like most fans of the Golden Age of Hollywood, I watch and re-watch the classic favorites (Gilda, It’s a Wonderful Life, Christmas in Connecticut, The Stooge, Abbott and Costello Meet the Mummy…. what do you mean it’s not a classic… watch your mouth!… etc….). I also have a great affection for jumping into movies no one really ever talks about. “Random” movies like the one I’m telling you about today – Sanctuary from 1961.

Most of the time, I’ll select a random movie based upon a favorite actress or actor starring in the movie (such was the case for Lured, for example.. George Sanders and Lucille Ball are both favorites, so that was an easy pick). A few times, however, either the plot or the fact that I know absolutely nothing about the cast will inspire the selection. This was the case with Sanctuary. Sure, I was familiar with Lee Remick from television but couldn’t recall ever seeing one of her movies. As for her co-stars, not a one of them rang a bell.

It was intriguing enough to make me grab a tall glass of iced tea and settle in.

Lee Remick (Temple) in Sanctuary

While I did enjoy the movie and while I was blown completely away by Lee Remick and Odetta (more about their performances in a minute), make no mistake about it – this is a disturbing movie. There is one “scene” where Lee Remick’s character “Temple” is presumably sexually attacked by a man nicknamed “the Candy Man.” The scene goes black before you actually see anything other than her horrified expression.

That’s disturbing enough, of course… but then Temple falls in love with The Candy Man. In fact, when relaying the story to another character, she basically claims that she was never forced into anything. Add this to the murder of a child AND the way race was dealt with in what seems like prehistoric times in some movies and you have a disturbing movie.

However…

You knew there’d be a however, right? Lee Remick’s breathtaking and complex performance as Temple causes you to make sense of where she’s coming from. She’s young with emotions and hormones that are wired for trouble. The job this lovely, innocent-looking actress does with this character is phenomenal. Before I go on raving about her more, just let me remind you that I’ve seen countless movies and even more actor and actress performances in my life. I’m in no way new to movies or the fascinating world of acting.

Odetta (Nancy) in Sanctuary

After watching Sanctuary, I will never be able to talk about an actor or actress giving the performance of a lifetime without mentioning Lee Remick and her multi-layered Temple. She glides from innocent little rich girl to unpredictable hellcat as easily as a professional ice skater glides across the ice.

Another outstanding performance in this movie was turned in by beautiful Odetta. I wasn’t familiar with Odetta before. This talented lady was a songwriter, guitarist, actress, and legendary black folksinger. She was actually trained in opera singing as a teenager. I’m currently looking for movies Odetta starred in and am VERY anxious to hear her sing. Her performance in Sanctuary would have completely stole the movie, if not for Lee Remick’s outstanding work as Temple.

Odetta in Sanctuary

The movie also stars Yves Montand, Bradford Dillman, Howard St. John, and Harry Townes, but make NO mistake about it, it’s the two ladies who carry this movie. Sanctuary is, honestly, worth watching for Lee Remick and Odetta, alone.

Sanctuary, based on the William Faulkner novel of the same name, takes place in the South in the 1920s. The governor’s pampered and adored daughter (Temple) makes a shocking confession to the governor in hopes of keeping a household servant (Nancy) from execution for the murder of Temple’s child and the governor’s grandchild.

Disturbing? Make no mistake about it. Worth watching? Again… make no mistake about it. These are two outstanding performances and, if you love movies, you don’t want to miss them.

Watch the full movie below or on YouTube

The Haunted Castle: Review of a Silent Movie That’s Perfect for this Time of Year

October 20, 2018 By Joi Leave a Comment

Olga Tschechowa and Lulu Kyser-Korff

Before getting to the review of The Haunted Castle, let me say (right up front) that this isn’t a horror movie like you’re probably used to. I’m not sure I’d even classify it as “scary,” although the eye makeup and a couple of scenes come about as close as most Silents are going to come. It is a really good movie, however, and very much worth taking the small amount of time it’d take to watch it.

Oddly enough… even though I’ve been completely obsessed with the Golden Age of Hollywood since I was a pre-teen… I am very new to the world of Silent movies. Confession time – this is only the fourth silent movie I’ve ever watched and the first was just three weeks ago. I honestly never thought I’d enjoy a silent movie and yet, here I am, rounding them up on YouTube like I round up groceries at Kroger.

I’m smitten and I’m hooked. I mean, I’ve watched four within a month, that’ll tell you something! The reviews for the others will be coming soon – I’m adding a silent movie category under Old Movie Reviews because they’ve become very important to me.

For one thing, they are an art form all in and of themselves. All acting and conveying of emotions must be done with facial and body movement. That takes a great deal of talent!

The Haunted Castle, 1921

They’re also completely relaxing, in some way. Maybe it’s the music that accompanies them – that, combined with the wonderful step back in time (way back!). As someone who frequently has family members (including a precious 10 month old grand baby I have the blessing of watching most days of the week) and cats around them, I find that it’s easier to watch a Silent on my iPad or iPhone than to try to follow a talkie. I mean, have you ever tried to hear over a husband or 10 month old?

How did I not become hooked on Silents years ago?!

The Haunted Castle was made in 1921 and… get this… was shot in 16 days. The movie takes place in a castle, Vogeloed, which is (of course) the haunted castle the movie refers to. Again, be warned, if you’re looking for a movie that’ll scare your socks off, this isn’t the one. Your socks will never even know you watched a movie.

Vogeloed: The Haunted Castle

The scariest parts of this movie are the outside shots of the castle and one guest’s really weird dream.

Plot: A group of aristocrats and other people of importance are gathered in Vogeloed. They are awaiting the arrival of baroness Safferstätt and her second husband. However, Count Oetsch (brilliantly played by Lothar Mehnert) invites himself to the gathering. Count Oetsch is the brother of baroness Safferstätt’s first husband and is suspected by nearly everyone of having murdered him! Count Oetsch maintains his innocence and vows to find the real killer. Realizing things could get awkward fast, the host and hostess attempt to convince Count Oetsch to leave but he refuses to budge.

It’s a darn good thing, too, because Lothar Mehnert is, unquestionably the star of the movie. He’s just wonderful. It hasn’t taken me long to discover that in Silents, there are two types of actors/actresses: those who GO BIG, often larger than called for (more about her in a minute!) and those who reign it in, allowing themselves to become woven into the story.

In all fairness, I’d imagine that the second group would be infinitely harder to do. It’d be easier to simply go full Susan Lucci and see what happens from there – but it’s much, much more enjoyable to watch the stars who allow the story to be the star. Lothar Mehnert did as fine a job of that as I’ve seen (in silents or talkies).

Remember the bit about going full Susan Lucci? Well, this is a good time to introduce you to Olga Tschechowa. You know what, on second thought, the saying may need to be changed to going full Olga Tschechowa because Mrs. Lucci has nothing on her.

Ever watched a movie with a character you detested so much you kind of wish someone would throw them out of a window. Like, from the third flour? Seventh, if you’ve got it? That was her character. See the picture at the top where Lulu Kyser-Korff’s character is draped all over her? I literally said, “Good! You’ve got her! Now take her out.” But, alas her character adored the baroness like I adore my daughters and didn’t do me the favor.

Was it the character, herself, I hated with unbridled hatred or the portrayal by the actress? Both. Absolutely both.

Now, I understand, this was the twenties and I understand that we’re dealing with a silent movie here. Emotions had to be conveyed through facial expressions and body movement… but, hot dang, this woman was hysterical without meaning to be.

Having said that… it’s still a darn entertaining movie. I don’t know, maybe her theatrics added to the amusement. In the end, though, it was simply a good script and the performance by Lothar Mehnert and the rest of the cast that pulled it off. The scenery is also stunning – I actually stopped and rewound about 10 times to “take in” the furniture, clothing, decor, etc.

Lothar Mehnert

When I watch a movie and/or come across new stars, I read everything I can get my hands on about them. I am having a horrible time finding out much about this cast…. except for Miss Olga. Olga (also listed as Olga Chekhova) was apparently one of the most popular stars of the silent film era. Maybe she was less… ummm… over the top in other roles. She was born in what is today Armenia. She had a wonderful film career in Europe and even had her own film production company, Venus-Film Olga Tschechowa. Incredibly impressive for a female at that time! Adolf Hitler reportedly fell for Olga after seeing her in several films in the 1920s…. not as impressive, but there you have it.

Olga Tschechowa was, indeed, a lovely actress. The makeup they had on her in this particular film (for most of the movie) forbid it to shine through. The makeup was so morbid, in fact, at the first of the movie I thought both female leads were being played my males – kind of like old Shakespearean plays. The picture below kind of gives you an idea of why my brain took that route.

The Haunted Castle, 1921 (love the clothes!)

You can watch The Haunted Castle below, in its entirety. I do highly recommend it – it’s just a really fun-to-watch and cool-to-say-you-watched movie.

Did you know that you can find A LOT of old movies (including silent movies) on YouTube in their entirety?!? I have folders in my YouTube Library that include…

Barbara Stanwyck
Rita Hayworth
Lucille Ball
Joan Crawford
Marilyn Monroe
Silent Movies
Abbott and Costello
etc….

It’s breathtakingly lovely to be able to access classic movies on your laptop, iPad, iPhone, or desktop – and when you’re in the middle of one, it’ll keep your place. I instantly collect all the movies my personal favorites ever made, simply because it’s the right thing to do, and never let it be said I don’t do the right thing, even if it means spending a fortune on dvds – however, I love to actually watch most movies to see if I want to add them to my collection or not.

I’m currently watching a wonderful Lee Remick movie from 1961, Sanctuary. She’s giving an Academy Award level performance in this movie. I’m sure I’ll be writing a raving review about it and her soon here on the blog.

In the meantime…. do check out The Haunted Castle. It is VERY much worth watching and this is the time of year to watch all the scary movies you can… even those that just think they’re scary!

Find more Silent Movies (and silent movie collections) on Amazon (affiliate link).

The Bat: FUN Classic Horror Movie With Agnes Moorehead and Vincent Price (Review)

October 8, 2018 By Joi Leave a Comment

Vincent Price and Gavin Gordon in The Bat

Although the weather here in Kentucky doesn’t seem to have gotten the memo, we are fast-approaching Halloween. What better time to focus a few movie reviews on delicious old horror films?!

First up to bat… well… The Bat!

I’m sure I’ve mentioned in my Old Hollywood movie reviews before that there are precious few classic movies I dislike. I am so completely in love with the Golden Age of Hollywood that I’m very easy to please when it comes to movies. Honestly, I’d rather re-watch the movies I don’t particularly like (Frankenstein, Bride of Frankenstein, The Prince and the Showgirl, Mogambo) than to watch anything from Hollywood since 1980.

But that’s just me.

So, there will inevitably be movies now and then that I like or even love that others (possibly even you) may feel lukewarm about or even hate with a vengeance. The movie I want to rave about today might just be the poster child for such a situation. In fact, I’m not sure I’ve ever read anyone liking The Bat as much as I do.

The Bat was made in 1959, so you have to be understanding when it comes to special effects. Of course, those of us who pretty much live for our next old movie understand that.

The movie stars the always perfect Vincent Price and one of my favorite actresses, Agnes Moorehead. The wonderful cast is round out by Lenita Lane, Gavin Gordon, BEAUTIFUL Elaine Edwards (all caps… yes, deserving), John Sutton, and Darla Hood. Yes! That Darla Hood, from The Little Rascals. You’ll know her the minute she walks in the room – same face, same hair. It’s as though little Darla was simply stretched out and gussied up. Her role isn’t a large one, but she’s memorable.

Plot: A crazy killer known as “The Bat” is on the loose in a mansion (“The Oaks”) filled with people. Agnes Moorehead plays mystery writer Cornelia Van Gorder who has rented The Oaks, along with her secretary/friend Lizzie (played by Lenita Lane… quite the scene-stealer).

{Review Continued Below…}

Agnes Moorehead in The Bat

Agnes Moorehead, Vincent Price, and Lenita Lane are outstanding in this movie. Somehow it just seems Mr. Price was born for this type of film, doesn’t it!?

Ironically, in an interview on Sinister Image in 1987, Vincent Price revealed that the stage version of “The Bat” had absolutely terrified him when he was a child. Apparently this is why he accepted the role in this film because he thought the filmmakers “would revive it and bring it up to date.” Sadly, he was disappointed with the final result because he didn’t believe it was a good script.

Could the script have been better? Well, yes. But that simply points out how wonderful the cast and director were to take an “okay” script and make a very entertaining film out of it.

The Bat would be the last film for both Lenita Lane and Darla Hood. Each actress would go on to live out their life outside of movies rather than in them.

The Bat isn’t, in my opinion, a very frightening film, but it IS very enjoyable and entertaining and absolutely perfect for this time of year!

On Amazon:

Vincent Price 5 Frightening Features (The Bat, Shock, The Jackals, The Last Man on Earth, and House on Haunted Hill )
Horror Hall of Fame Gift Set (Vincent Price, Boris Karloff, Donald Sutherland, Christopher Lee, Peter Cushing…)

Review: Grand Hotel with Greta Garbo, John Barrymore, Lionel Barrymore… and Joan Crawford!

June 26, 2018 By Joi Leave a Comment

Before I go any further, I want to completely own up to having off-beat and fairly unique tastes when it comes to “Old Hollywood,” “The Golden Age of Hollywood,” “Classic Movies…” or whatever phrase best fits your fancy. The stars I often adore most are often the ones others overlook. By the same token, many legendary favorites not only don’t float my boat, they don’t even get it in the lake!

I hope you never take anything I say personally if you’re a fan of any of these legends – after all, they’re legends, after all, and that means that you are undoubtedly right and I am as wrong as can be. But I can live with it if you can.

I am a huge fan of the movie “Grand Hotel,” but it’s (undoubtedly) not for the reason you’d imagine… In fact it’s IN SPITE of the reason you’d imagine. Okay, you guessed it. I’m not the biggest Greta Garbo fan on the planet.

I apologize!

There are times, on screen, when she is brilliant. She was certainly an incredibly fascinating woman in real life – and, undeniably beautiful. The grace, the confidence, the voice… stunning. I personally simply don’t embrace her acting style. Embrace? Heck I don’t even hold its hand.

I apologize!

If, by now, you aren’t convinced that my tastes march to the beat of an odd drummer, I also put Laurence Olivier in that category. Yes. That Laurence Olivier. Like Garbo, I have not seen all of Olivier’s movies, so I’m basing this on a sample size I personally possess. If I were to see more of their films, it’s possible that my opinion of each would evolve, but as it is… I’d rather watch an rerun of The Brady Bunch (your pick) than either of these stars at work.

Apologies… plural. They’re really racking up now.

So, how does someone who is not a Garbo fan come to love Grand Hotel? Two words… Joan Crawford. As is the case with all of her roles, I think she is simply mesmerizing in this movie. It’s one of her earlier films, yet the star quality is still there. So much so, in fact, that she upstages much (at the time) bigger names. She plays a stenographess, Flaemmchen, and it’s impossible to remove your attention from her grip whenever she’s on the screen.

“I want to be alone.” – Grusinskaya (Garbo)

The Plot: A gorgeous, luxurious hotel in Berlin is the setting for this star-studded, fast-paced film. I’d imagine it was the inspiration for television series such as Love Boat and Hotel, as well as many films since. The movie takes place over the course of 24 hours as life plays out for the colorful characters – each of which will never be the same after the day they’ve had!

John Barrymore plays jewel thief Baron Felix von Geigern. He finds himself attracted to both a prima ballerina Grusinskaya (Greta Garbo) and the beautiful Flaemmchen (Joan Crawford).

Along with Joan Crawford, I’d give the “star of the movie” to Lionel Barrymore who plays terminally ill Otto Kringelein. He’s also simply wonderful in this movie. John Barrymore is also perfect in the movie – I think I just always held his character against him. I mean, come on now… how can you even look at the prima ballerina or anyone else once you’ve had Flaemmchen in your sights?! When his character tells Garbo’s that he’s never seen anything in his life as beautiful as her… I all but yell at the screen, “You darn sure have!!!”

Have I mentioned how mesmerizing Crawford is in Grand Hotel?

“Grand Hotel… always the same. People come, people go. Nothing ever happens.” – Dr. Otternschlag (Lewis Stone)

Grand Hotel Fast Facts:

Grand Hotel won Oscar for Best Picture.
Garbo purrs her now famous line, “I want to be alone.” in this film.
John Barrymore was so excited about appearing in this film with Greta Garbo that he accepted a three picture deal with MGM.
Oscar winner Wallace Beery stormed out of rehearsals at one point, saying he would only come back “when Joan Crawford learns to act”. You’ll notice I’ve all but left him out of my review. So there.
Joan Crawford was actually nervous about accepting the role of Flaemmchen. She was afraid of backlash because of the overtly sexiness of her character. Though director Edmund Goulding and producer Irving Thalberg assured her that everything would be tastefully done and that her misgivings weren’t founded, her instinct was (in the end) warranted. Many conservative censor boards cut the majority of her scenes for indecency.
Greta Garbo was nervous about playing a prima ballerina – she was afraid she wasn’t young enough for the role.
John Barrymore (Felix von Geigern) and Lionel Barrymore (Otto Kringelein) were, of course, brothers. Lionel was the older brother.
Lionel Barrymore would become most famous for his role as Mr. Potter in It’s a Wonderful Life (1946). It was actually Barrymore who convinced James Stewart to take the role of George Bailey. Apparently Stewart felt that he was not up to the role so soon after World War II. Thank goodness Barrymore convinced him – I cannot imagine the movie OR Stewart’s career without him bringing George Bailey to life.
Garbo was also unhappy about appearing in a film with so many additional stars. Producer Irving Thalberg was able to set her diva mind at ease when he told her she would be billed her by her last name only in the credits. This was a huge honor which was reserved for only largest stars.
Though rumors circulated that Joan Crawford was irked by Greta Garbo’s top billing, this is completely false. In 1932 (when the movie was released), Garbo was by far the more established and famous star. Joan Crawford would have certainly been aware of this.

I don’t want to give away anything in regard to the various storylines or the characters, so I will simply say that if you love old movies, you have to see this legendary film. If you’re a huge Greta Garbo fan (my apologies to you for my sentiments, if you are, and I promise to see more of her films!), this is as MUST SEE a movie as you’ll ever encounter. She’s full steam Garbo, here, and you’ll devour every second.

Amazon

Joan Crawford fan? See. The. Movie. Buy. The. Movie. You’ll revel in our girl’s playfulness and sexiness. I may apologize for my lack of love for some stars, but I certainly don’t apologize for this opinion – Joan Crawford and Lionel Barrymore make this movie the masterpiece it is.

Side Note: Watching the Barrymore brothers again in Grand Hotel caused me to read more about their fascinating family. When you get a chance, Google John’s beautiful daughter Diana Barrymore. Drew Barrymore’s resemblance to her is STRIKING.

Critic’s Choice Starring Lucille Ball and Bob Hope (Review)

June 8, 2018 By Joi Leave a Comment

Critic’s Choice (Official Trailer)

When it comes to watching old movies, I’m obsessive and not the least bit confined. Many (most??) have a particular era or genre they’re most passionate about – the 40s, silents, musicals, the 50s, the 60s, westerns, etc. I’d imagine that specializing would make things a lot less complicated. There’d be fewer movies to DVR, fewer movies to add to actor/actress collections, and fewer favorite actors and actresses to name when asked for your favorites. You can see how that goes for me on the Hollywood Yesterday About page!

I will, however, be the first to admit that some 60s movies are a breed all their own. As I’ve often said about much earlier films, you have to accept them for what they are… films made very, very long ago. I believe the problem a lot of people have with films from the 60s is that our brain sees they are in color, so we automatically think of them as “modern,” somehow, at least when compared to classics such as Top Hat, Christmas in Connecticut, and Casablanca.

It pays to remind yourself, when watching a colorful oldie that it’s still an oldie. I have to remind myself of this from time to time. I actually had to pause Two for the Road (1967) twice (once for each of the “Two,” I guess!) and give myself a wake up call. This particular era is fascinating to me because it’s so beautifully unique. Movie makers were trying new things… being more daring and bold, while clinging to many traditional plots and scenes.

Fascinating… yet, at times… well… in need of a pause or two.

One film from the 60s that never needs a pause is Critic’s Choice (1963) starring Lucille Ball and Bob Hope. I’m not sure if it’s because I’m an insanely huge fan of each of these household names or if it’s the fun pace of the movie, itself, but I can’t get enough of it. The humor is as hilarious today as it was then.

Bob Hope plays popular New York theater critic Parker Ballantine. He has a reputation for greatly impacting a star or play’s longevity or success with his reviews. The level of glee he gets from shredding what he considers to be a flop is priceless. As always, he is wonderful in each and every scene.

Speaking of wonderful, Lucille Ball plays Angie Ballantine, Parker’s wife. All’s fine and well until she decides that she wants to write a play. Things get especially tense when her play is made into a play. Parker doesn’t have a very high opinion of it which means, if he reviews it, it could be the end of his marriage. However, if he doesn’t, it could be the end of his self respect in a career he values very highly.

This is one of those movies you can turn on and watch again and again – Bob Hope and Lucille Ball are, without a single doubt, two of the greatest entertainers of ALL TIME. Each line… each expression… each move – they’re each pure magic, so when you combine the two… look out!

The always regal-looking Jessie Royce Landis (Angie’s mother, Charlie) and adorable Ricky Kelman (Parker’s son/Angie’s stepson, John) are major scene stealers in this movie – which is no small feat when the stars are Bob Hope and Lucille Ball. I remember Ricky from an episode of Gunsmoke but I’m really surprised he didn’t have more movies in his filmography. Not only was he a great little actor, he had a special something that made him stand out. When he was in a scene, you wanted to watch his reactions to what was playing out around him.

If you’ve never seen Critic’s Choice, I hope you’ll watch it asap and see exactly what I’m talking about with Ricky.

As for Jessie Royce Landis, the greatest compliment I can give her is that her beauty and screen presence stood next to that of Lucille Ball’s and didn’t diminish one bit. Each time I see the movie, I’m left wanting more scenes with her in them. When I watched the movie for, probably the third time, it occurred to me why this actress resonates so much with me – she has equal parts of two of my all time favorites – Maureen O’Hara and Lucille Ball.

Can’t beat that combo!

The movie serves as a perfect reminder (as though we even need it) of just how talented and special Bob Hope and Lucille Ball were. They broke the mold with these two, didn’t they?! As an Old Hollywood fanatic, I am just so thankful we have movies and television shows with these two legends side by side. They were very talented actors – a fact that they sometimes gets lost in the shadows cast by their glittery super stardom. They almost shined too bright for their own good. The same thing can be said of other wonderful entertainers who went on to become household names – often without households recognizing why they became household names in the first place. Elvis, Rita Hayworth, Bob Hope, Joan Crawford, Betty Davis, Marilyn Monroe… there is so much more to these individuals than the tiny little compartments people tend to place them in.

Old movies are an exceptional place to let them break loose and show you what they have.

One final word about Lucille Ball (not only is she one of my top three favorite actresses, she’s one of my absolute favorite people, so bear with me!) – we remember her, rightly, for being so deliciously funny. The woman was hysterical – there’s no other way to put it. Her timing, expressions… the things she did with her voice. Pure genius.

However, as I always point out when talking about her (which, admittedly, I do a great deal of) is this: She was absolutely, uncommonly, ridiculously beautiful. The gorgeous eyes, flawless skin, perfect figure (she had a dancer’s body… as enviable as that is), and beautiful “I-Dare-You-Not-To-Notice-Me!” red hair – they all went together to make one stunning human being.

I re-watched another of her movies recently, “Miss Grant Takes Richmond” (review should be up next week), and was blown away by just how lovely she was.

Most beautiful clown in the world.

Movie Review: To Please a Lady with Barbara Stanwyck and Clark Gable

May 17, 2018 By Joi Leave a Comment

To Please A Lady (Official Trailer)

Some movies are tougher to write movie reviews for than others. Naturally, I could rave on and on about favorite movies such as Christmas in Connecticut, Top Hat, Lone Star, Autumn Leaves, etc… I also find movies that I really, really dislike easy to review. In fact, I’ll let you in on a little secret – it’s kind of fun to write reviews for the “stinkers.” Maybe it’s my way of exacting revenge for my misery.

Movies that I’m lukewarm on are a little tougher. If something doesn’t really inspire you one way or another, it’s hard to find the inspiration to even talk about it, you know?

For me, the absolute WORST movie to review is the one that stars one (or two or more) of your absolute favorites…. and yet, as a movie, leaves you wanting. You’re left lukewarm and can’t for the life of you wonder where the heat is. When you watch old movies as faithfully and for as long as I have, this is inevitably something you run into fairly often.

The following are some movies that starred some of my favorites (in parentheses) but scarcely scored a 3 on a scale of 1-10 for me:

A Farewell to Arms (Helen Hayes)
Mogambo (Ava Gardner and Clark Gable) – HATE this movie with a cruel, unbridled passion!
The Naked Spur (James Stewart)

Those are a few that come to mind that failed to rock my world, in spite of starring actors and actresses that did. The one I’m reviewing today is extra hard because it stars my main girl Barbara Stanwyck AND one of my absolute favorite actors, Clark Gable. How can a movie possibly miss with these two?!?!

That’s what I thought when I first sat down to watch To Please a Lady. While I have a lot of favorite actors and actresses (Hollywood Yesterday’s About Page will attest to that) – there is no one I’d put above Barbara Stanwyck and Clark Gable on any list.

TCM – To Please a Lady Intro by Robert OsborneI can actually remember the afternoon I sat down to watch To Please a Lady on TCM. I had my popcorn by my side, a cold glass of sweet tea, and a cat (Alexa) in my lap. She fully expected a lot from this movie, too (huge, huge, huge Clark Gable fan).

Now don’t get me wrong – To Please a Lady is not at all a bad movie and it’s far from being what I call a “stinker” (here’s mud in your eye, Mogambo), but it wasn’t anywhere near the earth-moving movie that this Stanwyck and Gable fanatic… or even her cat… expected. Is it possible we over-expected? Very possibly.. which is why I re-watched it a few years later. When I watched it the second time… going in without any “my world is about to be rocked off its axis” expectations, I enjoyed it a lot more. Like a lot of oldies, you simply have to hang on and enjoy the fun of the ride.

One of the things that caught me off guard was that neither of the stars’ characters were exactly lovable for the first half of the film. I had a pretty hard time figuring out who to pull for. Least favorite part of the movie? Gable’s character (Mike) smacks Stanwyck’s (Regina). I realize it was a different time then and that some things were perfectly acceptable THEN that make us cringe NOW, but I’ll be honest with you, a man smacking a woman will never NOT make me cringe so hard I can hear my mom saying, “Do you want your face to freeze like that?!” all the way from Heaven.

Had Regina returned the smack, I’d have accepted it – especially if she’d given worse than she got… but not only does she not belt him, she seems to find it irresistible. That seems to be the moment she falls for him. In spite of my pleas, “Smack him! Kick him! Run!,” she just stands there smitten.

Again, I realize the time the movie was made (1950), but still.

On to the positives!

While I’m not a huge racing fan, I have to admit that the cars and the racing were really cool. As I often say in my old Hollywood movie reviews, one of the funnest things about watching old movies is seeing the clothes, furnishings, buildings, and cars. They were all spectacular and were a lot of fun to see.

The chemistry between the two stars was pretty special. While I’d like to have seen a stronger movie and story-line for them, their chemistry was very strong and the two of them, somehow, actually make a pretty average script take flight.

I’ll also give To Please a Lady this – the ending was very nice (I love a good ending). It ironically had one of my favorite Barbara Stanwyck scenes (and one of my favorite movie scenes, period), as well – when she’s trying on shoes in her office. The expressions, movements… vintage Barbara Stanwyck. There really isn’t another actress quite like her, you know.

They broke the mold with this lady.

If you’ve never seen To Please a Lady, I hope you’ll catch it – especially if you’re a fan of its stars. Seeing two legends starring in a movie is a wonderful thing – even if the movie doesn’t shine quite as brightly as they do.

Review: The Stooge, Starring Dean Martin and Jerry Lewis (Love this Movie!)

March 21, 2018 By Joi Leave a Comment

One of my favorite quotes of all time is, “I just want to spend the rest of my life laughing.” I honestly don’t know WHO originated the quote because each time I see (or hear) it, I’m too busy thinking, “AMEN!” to look for a name. I’m one of those people (for better or worse) who finds humor in most situations – if there isn’t any to be found, I do my darnedest to create some. If that can’t be done, I just part ways with the situation.

Okay, so I’m exaggerating a little but the truth of the matter is this – I love to laugh and do so many times throughout the day. Not surprisingly, many of my absolute favorite stars (Lucille Ball, Jerry Lewis, Dean Martin, Carol Burnett, Abbott and Costello, Laurel and Hardy, Rue McClanahan, Bob Hope, Desi Arnaz, Redd Foxx, Don Knotts…) are those who fully support my funny bone fetish.

I’m convinced that it was actually Lewis and Martin, Lucille Ball, Carol Burnett, and Abbott and Costello that turned me into the clown I am. I grew up watching (and loving) them – I guess, as a child, I assumed every single day was filled with laughter. I soon learned that every day does not come with laughter… perhaps that’s when I began trying to create craziness where none existed.

One of our cats (Nacho) and I recently rewatched one of four favorite movies, “The Stooge,” (1951) starring the wonderful Dean Martin and Jerry Lewis. These men were just brilliant – geniuses in every sense of the word.

Before getting to the movie, I have to tell you how much Nacho loves this movie. As you’d expect from a Classic Movie blogger, I watch a lot of old movies… A LOT. Yet, The Stooge is the only movie this particular cat will sit through with me. He settles in and, I kid you not, watches the entire movie with me. I used to think it was Jerry Lewis’ voice (especially high in this role) that fascinated him, but he doesn’t fully commit himself to other Lewis movies like he does this one.

Synopsis: Bill Miller (Dean Martin) is trying to make it big as a singer. In spite of having a phenomenal voice, he’s just not achieving the type of success he strives for OR the level of fame Bill fully believes Bill deserves!

His luck changes after he’s teamed up with an adorably flighty comic named Theodore (Jerry Lewis). They become a huge success but Bill’s pride is convinced the draw is HIM, not THEM…. and he certainly wouldn’t consider giving “Ted” any credit. Bill’s pride gets in his way and nearly ruins his relationship with Mary (played by the beautiful Polly Bergen) and his career. Mary, as well as everyone else, sees that the success is just as much the stooge‘s credit as Bill’s.

Jerry Lewis’ Ted Hitting the High Notes… as in Assaulting Them!

Too cute for her own good Marion Marshall appears in The Stooge as Genevieve “Frecklehead” Tait, Ted’s love interest and none other than Frances Bavier (Aunt Bee) stas as Ted’s mother. They help round out a very talented and hilarious cast.

As much as I love (love, love, love) The Stooge, I have to admit… it takes a hot minute to get going. Once it hits its stride, though, it’s an especially fun ride. The best part of the ride is, undoubtedly, the wonderful ending.

MOVIE. MAGIC.

I don’t know about you, but my movie motto is this: A movie is only as good as its ending. I’ve never understood why movie makers would settle for anything less than a stellar ending – after all, its the last thing a viewer sees and the first thing they remember.

The Stooge has one of the best endings of any movie and I love every single thing about it.

So does Nacho.

(Concluded Below….)

Jerry Lewis and Dean Martin: Just One More ChanceJerry Lewis called this his favorite Martin and Lewis movie, which is saying a lot since they were all extra, extra, extra special. He believed that this movie best-represented the phenomenon he and Martin had in real life.

Lewis and Martin made 17 movies together between 1949-1956. The Stooge was actually filmed in 1951, but it wasn’t released until 1953. Seems Paramount was entirely sure how this film’s dramatic moments would play out at the box office. Of all the Lewis and Martin movies, The Stooge brings the most drama. This is why, if you’re a huge fan of their comedies like I am, the film seems to take a bit to find its footing. It’s simply not the “one hilarious scene after the other” laughathons we’re accustomed to with their movies.

It is, however, one of the best – which is a real tribute to their talents.

Nacho and I both hope you’ll see this movie soon – whether it’s for the first or fortieth time, the ending will move you.

And don’t you love it when a movie does that?

Marion Marshall, Jerry Lewis, and Dean Martin in The Stooge

Review: The Little Princess (With Shirley Temple, Anita Louise, Arthur Treacher, and Cesar Romero)

January 10, 2018 By Joi 1 Comment

Shirley Temple and Arthur TreacherSome of my happiest memories of growing up are, not surprisingly, watching television with my father. My mother wasn’t as into westerns, Gunsmoke, Abbott & Costello, Ironside, Matlock, or Perry Mason as we were. In fact, she somehow managed to read her romance novels the entire time we watched and discussed whatever beloved program we were watching at the time. She’d look up every now and then to ask what was going on or what someone in particular had said… drove my dad nuts!

There was one movie star she would put her book down for and that was Shirley Temple. She absolutely loved Shirley Temple movies. There was, during this time, a program each Sunday morning called the Abbott and Costello Theater (I believe it was on TBS, but I’m not certain of that). Many times, they would air a Shirley Temple movie instead of an Abbott and Costello one. My dad would grumble and, inevitably ask the same question, “WHY BOTHER CALLING IT THE ABBOTT AND COSTELLO THEATER??!!”

It really didn’t matter to me, I was happy either way – but there was a definite difference of opinion with the folks. Mind you, he’d watch the Shirley Temple movies with us and, while he’d never admit it, he even enjoyed them.

One of my personal favorites was (and is) The Little Princess (1939). Shirley Temple plays Sara Crewe, a little girl who is left in a snooty exclusive home for girls, when her beloved father has to go to South Africa to fight in the Second Boer War.

Shirley Temple is, undoubtedly, adorable in The Little Princess and effectively pulls at every heart string. While the same can be said about every movie she appeared in, there’s just something special about this role. When watching her scenes, you can’t help but believe that she was extra fond of this role and film. Most of the time – especially when you watch enough of a star’s films to become familiar with them – you can tell just how much an actor or actress loved or loathed a role and a film. I’d be willing to bet that they young star got a real kick out of this movie.

Undoubtedly she got a real kick out of her co-star Arthur Treacher as well. I know I always do. He actually starred in quite a few movies with Miss Temple. He always brings an air of happiness and fun with him to his roles and is one of the faces that comes to my mind when I hear the phrase scene stealer.

Ian Hunter (you may remember him as King Richard the Lion-Heart in 1938’s The Adventures of Robin Hood) plays her loving father, Captain Crewe. Richard Green, Mary Nash (deliciously despicable!), Cesar Romero, and beautiful Anita Louise round out the cast.

I particularly love Anita Louise in this movie. She’s one of those stars who never seemed to reach the level of stardom I feel they should have. She was more than just lovely and she was even more than a very talented actress. There was a certain, unmistakable spark to her and a unique ability to have chemistry with everyone in the room. There are other actresses who didn’t quite achieve the stardom they deserved (in my opinion, mind you) who had these exact same qualities – Dianne Foster and Lizabeth Scott are two that come to mind.

Ray Milland and George Sanders are a few actors that fall into this category for me. Like the ladies above, they certainly were successful and had wonderful careers. However, they don’t have the “household name” status many…. quite honestly…. less talented and charismatic stars have.

Even if the story wasn’t wonderful (it is!), The Little Princess would be worth seeing for Shirley Temple, Anita Louise, and Arthur Treacher, alone. I guess that’s easy for me to say because I have always approached movie-watching on a star-by-star basis. While there have been a few movies I’ve sought out because they sounded fascinating – a solid 9 times out of 10, I seek out a movie because of an actor or actress in the cast.

Very often, while watching a movie starring an all-time favorite (Rita Hayworth, for example), I’ll “meet” new favorites – then I simply must watch all of their movies as well. When they reach my much-ballyhooed (by me, anyway!) “all time favorite” status, then their movies aren’t just watched, they’re collected on DVD. Shirley Temple and Anita Louise qualify for this distinction.

The Little Princess was the first time I saw Anita Louise and it set me off on an “Anita Louise Movie” watching and collecting venture. If you’ve never seen The Little Princess – or haven’t watched it in a while – I believe you’ll become just as big a fan of Anita Louise as I am.

When that happens, I can certainly recommend some good movies.

(Concluded Below….)

Anita Louise and Shirley Temple

I also believe you’ll fall in love with Shirley Temple and with her lightweight, fun, and heartwarming movies. I don’t have to tell you that we live in somewhat perilous times right now. There’s a lot of controversy, contention, and full-on craziness out in the world. I can guarantee you this to the tune of 110 percent… a good old Shirley Temple movie will make it all fade away.

What’s not to love about that?!

Gilda Review: One of My All-Time Favorite Movies (With Rita Hayworth and Glenn Ford – How Could it NOT Be?)

December 18, 2017 By Joi Leave a Comment

Glenn Ford and Rita Hayworth, Gilda

Like Lana Turner and Marilyn Monroe, a lot of people tend to think of Rita Hayworth as simply beautiful and iconic. While she’s both (to be sure), there’s more to her than “greets the eye.” Rita Hayworth was an great actress and an exceptional performer. The same is, of course true of the aforementioned ladies as well.

Rita Hayworth could more than hold her own on the dance floor and she brought life, charisma, and depth to every role she ever stepped into. She could convey more with a facial expression than a lot of actors/actresses get across with a five minute dialogue purge.

Can you tell she’s one of my all-time favorite actresses?

It seems that every actor and actress has a “defining role.” While this may not seem terribly fair, it is what it is. Many stars have several roles that can, and should, serve as sort of a defining compilation, but it’s generally one specific role that comes to mind when you see their name. When it comes to Rita Hayworth, her defining role is a knock out – Gilda.

Gilda is a cinematic dream come true for me, personally, as it has not only one of my top three favorite actresses but also one of my top three favorite actors, Glenn Ford.

Don’t you just love it when your favorites team up for a movie? Feels kind of like a kiss on the cheek from God, Himself.

Make no mistake about it, though, even 10 favorite stars in a movie won’t save it if the movie doesn’t live up to the moment. Fortunately, Gilda does. In fact, it’d be one of my favorite movies even if the lead characters didn’t score so much as a blip on my radar. The movie is simply a lot of fun to watch and provides a few unexpected twists and turns to keep you completely and utterly hooked.

The clothes, the lighting, the music, the dancing, the redhead… they all go together to create cinematic magic.

While the entire cast is outstanding, the casting of the movie’s leads was a stroke of genius. The chemistry between Rita Hayworth and Glenn Ford is absolutely palpable. Each time I watch Gilda, I mentally give a standing ovation to the individual responsible for bringing these two together. It’s that special, magical kind of chemistry that is almost impossible to define – yet, when it happens, it lights up the screen and you feel the fire deep in your soul.

The chemistry between Rita Hayworth and Glenn Ford in Gilda (along with the chemistry between James Stewart and Lana Turner in Ziegfeld Girl – two more of my personal favorites) is one of the most magical pairings of all time as far as I’m concerned.

Rita Hayworth, Gilda

You can direct scenes, you can choreograph dances, and you can create moments with lighting and music…. however you cannot manufacture (or even account for) chemistry. It’s either there or it isn’t. While a great movie can overcome lukewarm chemistry between its leads, red hot chemistry can take a great movie and make it… well… a legend.

I believe this chemistry is partly (perhaps even largely) to credit for Gilda achieving the legendary status it has.

If you aren’t as immersed in old movies as some of us are or if you’re just getting into them, I wholeheartedly recommend Gilda. If you are new to the greatest genre of entertainment in the world (can you tell I’m not just immersed but buried?), I want to warn you about one brief little scene in particular. You’ll know it when you see it. The last thing I want to do is give anything away, so I’ll just say one code word: BOAT. Something happens in a particular scene involving a BOAT that serves to remind the viewer of the period of time in which this wonderful movie was made. Effects departments now, upon watching this scene, probably wouldn’t know whether to laugh or cry. Do me a favor, when you see this scene, simply say “1946” – the year in which the movie was made.

This will remind you not to hold the moment against the movie, Glenn, or Rita. Especially not Rita.

When you watch old movies like it’s your job, you just kind of shrug off these moments and accept them for what they are – signs of the times.

Rita Hayworth made Gilda the iconic legend it is and in many ways you can say the movie returned the favor.