Golden Age of Hollywood movie reviews

Ingrid Bergman in Dr. Jekyll and Mr. Hyde (One of the GREAT Performances)

November 9, 2018 By Joi

Ingrid Bergman as Ivy in Dr. Jekyll and Mr. Hyde

One of the things that I get the biggest kick out of is becoming totally infatuated with a star I had never really gotten past the friends stage with. When you watch a LOT of classic movies, it tends to happen. As I’ve often said on this blog, one of the problems for me is that I tend to watch movies staring my absolute favorites… so I often miss stars that would easily become favorites if I simply gave them a chance!

Ironically Ingrid Bergman is a perfect example. While I had seen a few of her movies (Casablanca and Rage in Heaven), I hadn’t witnessed the full range of her talent and magnetism. I recently came face to face with both in Dr. Jekyll and Mr. Hyde and she BOLTED into my top five favorite actresses. I went from “liking her perfectly fine” to “Got to get my hands on every Ingrid Bergman movie made!”

True to form, I watched Dr. Jekyll and Mr. Hyde (1941) because it starred a personal favorite (Lana Turner – who is also wonderful in this movie). I expected to love Lana – after all, I’ve always loved Lana! – but I didn’t expect for another star to steal the movie right out from under her!

Shhh, don’t tell Lana.

Ingrid Bergman stars as Ivy in the movie and every single second she’s on the screen is magical. She absolutely takes your breath away – and you don’t mind it a bit. Playfulness, fear, flirtation, heartache… she squeezes all that can be squeezed from each emotion and then some.

In short, it’s just a joy to behold. It’s performances like this that remind us why we love movies as much as we do – especially the classic ones because they have the best stories to tell and, in my opinion, tell them best.

The 1941 version of Dr. Jekyll and Mr. Hyde isn’t, if I’m being honest, the most handsome soldier in line. Is it good? Yes. Great? Well… that’s a tough one. Ingrid Bergman (Ivy) and Lana Turner (Beatrix) are great. They’re wonderful, make no mistake about it.

The story is also great. That’s why it consistently stands the test of time. Everyone will always know and talk about Dr. Jekyll and Mr. Hyde.

So what keeps me from calling the movie, itself, great? I hate to say anything negative about a wonderful actor that I think the world of (Spencer Tracy), but his portrayal of Mr. Hyde is pretty distracting. The makeup – over the top. The expressions – over the top. Naturally, these are only my opinions but if someone had reigned him and the makeup department in a bit, this would have been (without question) a great movie.

Oddly enough, Spencer is fantastic as Dr. Jekyll. He’s the charming, wonderful, warm actor we all know and love.

Then comes that cursed, creepy Dr. Hyde!

Having said all of this, it is most definitely a movie worth watching. The performance of the two actresses, alone, should make this a movie you either watch or re-watch right away.

Now, if you’ll excuse me, I have some (Ingrid Bergman DVDs) shopping to do on Amazon!

A Scene from Dr. Jekyll and Mr. Hyde:

Movie of the Month Review: Sanctuary (1961) with Lee Remick and Odetta

November 1, 2018 By Joi

Lee Remick (Temple) and Odetta (Nancy) in Sanctuary

Ready for an understatement? I watch a lot of old movies. A. LOT. OF. OLD. MOVIES. Like most fans of the Golden Age of Hollywood, I watch and re-watch the classic favorites (Gilda, It’s a Wonderful Life, Christmas in Connecticut, The Stooge, Abbott and Costello Meet the Mummy…. what do you mean it’s not a classic… watch your mouth!… etc….). I also have a great affection for jumping into movies no one really ever talks about. “Random” movies like the one I’m telling you about today – Sanctuary from 1961.

Most of the time, I’ll select a random movie based upon a favorite actress or actor starring in the movie (such was the case for Lured, for example.. George Sanders and Lucille Ball are both favorites, so that was an easy pick). A few times, however, either the plot or the fact that I know absolutely nothing about the cast will inspire the selection. This was the case with Sanctuary. Sure, I was familiar with Lee Remick from television but couldn’t recall ever seeing one of her movies. As for her co-stars, not a one of them rang a bell.

It was intriguing enough to make me grab a tall glass of iced tea and settle in.

Lee Remick (Temple) in Sanctuary

While I did enjoy the movie and while I was blown completely away by Lee Remick and Odetta (more about their performances in a minute), make no mistake about it – this is a disturbing movie. There is one “scene” where Lee Remick’s character “Temple” is presumably sexually attacked by a man nicknamed “the Candy Man.” The scene goes black before you actually see anything other than her horrified expression.

That’s disturbing enough, of course… but then Temple falls in love with The Candy Man. In fact, when relaying the story to another character, she basically claims that she was never forced into anything. Add this to the murder of a child AND the way race was dealt with in what seems like prehistoric times in some movies and you have a disturbing movie.

However…

You knew there’d be a however, right? Lee Remick’s breathtaking and complex performance as Temple causes you to make sense of where she’s coming from. She’s young with emotions and hormones that are wired for trouble. The job this lovely, innocent-looking actress does with this character is phenomenal. Before I go on raving about her more, just let me remind you that I’ve seen countless movies and even more actor and actress performances in my life. I’m in no way new to movies or the fascinating world of acting.

Odetta (Nancy) in Sanctuary

After watching Sanctuary, I will never be able to talk about an actor or actress giving the performance of a lifetime without mentioning Lee Remick and her multi-layered Temple. She glides from innocent little rich girl to unpredictable hellcat as easily as a professional ice skater glides across the ice.

Another outstanding performance in this movie was turned in by beautiful Odetta. I wasn’t familiar with Odetta before. This talented lady was a songwriter, guitarist, actress, and legendary black folksinger. She was actually trained in opera singing as a teenager. I’m currently looking for movies Odetta starred in and am VERY anxious to hear her sing. Her performance in Sanctuary would have completely stole the movie, if not for Lee Remick’s outstanding work as Temple.

Odetta in Sanctuary

The movie also stars Yves Montand, Bradford Dillman, Howard St. John, and Harry Townes, but make NO mistake about it, it’s the two ladies who carry this movie. Sanctuary is, honestly, worth watching for Lee Remick and Odetta, alone.

Sanctuary, based on the William Faulkner novel of the same name, takes place in the South in the 1920s. The governor’s pampered and adored daughter (Temple) makes a shocking confession to the governor in hopes of keeping a household servant (Nancy) from execution for the murder of Temple’s child and the governor’s grandchild.

Disturbing? Make no mistake about it. Worth watching? Again… make no mistake about it. These are two outstanding performances and, if you love movies, you don’t want to miss them.

Watch the full movie below or on YouTube

The Haunted Castle: Review of a Silent Movie That’s Perfect for this Time of Year

October 20, 2018 By Joi

Olga Tschechowa and Lulu Kyser-Korff

Before getting to the review of The Haunted Castle, let me say (right up front) that this isn’t a horror movie like you’re probably used to. I’m not sure I’d even classify it as “scary,” although the eye makeup and a couple of scenes come about as close as most Silents are going to come. It is a really good movie, however, and very much worth taking the small amount of time it’d take to watch it.

Oddly enough… even though I’ve been completely obsessed with the Golden Age of Hollywood since I was a pre-teen… I am very new to the world of Silent movies. Confession time – this is only the fourth silent movie I’ve ever watched and the first was just three weeks ago. I honestly never thought I’d enjoy a silent movie and yet, here I am, rounding them up on YouTube like I round up groceries at Kroger.

I’m smitten and I’m hooked. I mean, I’ve watched four within a month, that’ll tell you something! The reviews for the others will be coming soon – I’m adding a silent movie category under Old Movie Reviews because they’ve become very important to me.

For one thing, they are an art form all in and of themselves. All acting and conveying of emotions must be done with facial and body movement. That takes a great deal of talent!

The Haunted Castle, 1921

They’re also completely relaxing, in some way. Maybe it’s the music that accompanies them – that, combined with the wonderful step back in time (way back!). As someone who frequently has family members (including a precious 10 month old grand baby I have the blessing of watching most days of the week) and cats around them, I find that it’s easier to watch a Silent on my iPad or iPhone than to try to follow a talkie. I mean, have you ever tried to hear over a husband or 10 month old?

How did I not become hooked on Silents years ago?!

The Haunted Castle was made in 1921 and… get this… was shot in 16 days. The movie takes place in a castle, Vogeloed, which is (of course) the haunted castle the movie refers to. Again, be warned, if you’re looking for a movie that’ll scare your socks off, this isn’t the one. Your socks will never even know you watched a movie.

Vogeloed: The Haunted Castle

The scariest parts of this movie are the outside shots of the castle and one guest’s really weird dream.

Plot: A group of aristocrats and other people of importance are gathered in Vogeloed. They are awaiting the arrival of baroness Safferstätt and her second husband. However, Count Oetsch (brilliantly played by Lothar Mehnert) invites himself to the gathering. Count Oetsch is the brother of baroness Safferstätt’s first husband and is suspected by nearly everyone of having murdered him! Count Oetsch maintains his innocence and vows to find the real killer. Realizing things could get awkward fast, the host and hostess attempt to convince Count Oetsch to leave but he refuses to budge.

It’s a darn good thing, too, because Lothar Mehnert is, unquestionably the star of the movie. He’s just wonderful. It hasn’t taken me long to discover that in Silents, there are two types of actors/actresses: those who GO BIG, often larger than called for (more about her in a minute!) and those who reign it in, allowing themselves to become woven into the story.

In all fairness, I’d imagine that the second group would be infinitely harder to do. It’d be easier to simply go full Susan Lucci and see what happens from there – but it’s much, much more enjoyable to watch the stars who allow the story to be the star. Lothar Mehnert did as fine a job of that as I’ve seen (in silents or talkies).

Remember the bit about going full Susan Lucci? Well, this is a good time to introduce you to Olga Tschechowa. You know what, on second thought, the saying may need to be changed to going full Olga Tschechowa because Mrs. Lucci has nothing on her.

Ever watched a movie with a character you detested so much you kind of wish someone would throw them out of a window. Like, from the third flour? Seventh, if you’ve got it? That was her character. See the picture at the top where Lulu Kyser-Korff’s character is draped all over her? I literally said, “Good! You’ve got her! Now take her out.” But, alas her character adored the baroness like I adore my daughters and didn’t do me the favor.

Was it the character, herself, I hated with unbridled hatred or the portrayal by the actress? Both. Absolutely both.

Now, I understand, this was the twenties and I understand that we’re dealing with a silent movie here. Emotions had to be conveyed through facial expressions and body movement… but, hot dang, this woman was hysterical without meaning to be.

Having said that… it’s still a darn entertaining movie. I don’t know, maybe her theatrics added to the amusement. In the end, though, it was simply a good script and the performance by Lothar Mehnert and the rest of the cast that pulled it off. The scenery is also stunning – I actually stopped and rewound about 10 times to “take in” the furniture, clothing, decor, etc.

Lothar Mehnert

When I watch a movie and/or come across new stars, I read everything I can get my hands on about them. I am having a horrible time finding out much about this cast…. except for Miss Olga. Olga (also listed as Olga Chekhova) was apparently one of the most popular stars of the silent film era. Maybe she was less… ummm… over the top in other roles. She was born in what is today Armenia. She had a wonderful film career in Europe and even had her own film production company, Venus-Film Olga Tschechowa. Incredibly impressive for a female at that time! Adolf Hitler reportedly fell for Olga after seeing her in several films in the 1920s…. not as impressive, but there you have it.

Olga Tschechowa was, indeed, a lovely actress. The makeup they had on her in this particular film (for most of the movie) forbid it to shine through. The makeup was so morbid, in fact, at the first of the movie I thought both female leads were being played my males – kind of like old Shakespearean plays. The picture below kind of gives you an idea of why my brain took that route.

The Haunted Castle, 1921 (love the clothes!)

You can watch The Haunted Castle below, in its entirety. I do highly recommend it – it’s just a really fun-to-watch and cool-to-say-you-watched movie.

Did you know that you can find A LOT of old movies (including silent movies) on YouTube in their entirety?!? I have folders in my YouTube Library that include…

Barbara Stanwyck
Rita Hayworth
Lucille Ball
Joan Crawford
Marilyn Monroe
Silent Movies
Abbott and Costello
etc….

It’s breathtakingly lovely to be able to access classic movies on your laptop, iPad, iPhone, or desktop – and when you’re in the middle of one, it’ll keep your place. I instantly collect all the movies my personal favorites ever made, simply because it’s the right thing to do, and never let it be said I don’t do the right thing, even if it means spending a fortune on dvds – however, I love to actually watch most movies to see if I want to add them to my collection or not.

I’m currently watching a wonderful Lee Remick movie from 1961, Sanctuary. She’s giving an Academy Award level performance in this movie. I’m sure I’ll be writing a raving review about it and her soon here on the blog.

In the meantime…. do check out The Haunted Castle. It is VERY much worth watching and this is the time of year to watch all the scary movies you can… even those that just think they’re scary!

Find more Silent Movies (and silent movie collections) on Amazon (affiliate link).

Review: The Stooge, Starring Dean Martin and Jerry Lewis (Love this Movie!)

March 21, 2018 By Joi

One of my favorite quotes of all time is, “I just want to spend the rest of my life laughing.” I honestly don’t know WHO originated the quote because each time I see (or hear) it, I’m too busy thinking, “AMEN!” to look for a name. I’m one of those people (for better or worse) who finds humor in most situations – if there isn’t any to be found, I do my darnedest to create some. If that can’t be done, I just part ways with the situation.

Okay, so I’m exaggerating a little but the truth of the matter is this – I love to laugh and do so many times throughout the day. Not surprisingly, many of my absolute favorite stars (Lucille Ball, Jerry Lewis, Dean Martin, Carol Burnett, Abbott and Costello, Laurel and Hardy, Rue McClanahan, Bob Hope, Desi Arnaz, Redd Foxx, Don Knotts…) are those who fully support my funny bone fetish.

I’m convinced that it was actually Lewis and Martin, Lucille Ball, Carol Burnett, and Abbott and Costello that turned me into the clown I am. I grew up watching (and loving) them – I guess, as a child, I assumed every single day was filled with laughter. I soon learned that every day does not come with laughter… perhaps that’s when I began trying to create craziness where none existed.

One of our cats (Nacho) and I recently rewatched one of four favorite movies, “The Stooge,” (1951) starring the wonderful Dean Martin and Jerry Lewis. These men were just brilliant – geniuses in every sense of the word.

Before getting to the movie, I have to tell you how much Nacho loves this movie. As you’d expect from a Classic Movie blogger, I watch a lot of old movies… A LOT. Yet, The Stooge is the only movie this particular cat will sit through with me. He settles in and, I kid you not, watches the entire movie with me. I used to think it was Jerry Lewis’ voice (especially high in this role) that fascinated him, but he doesn’t fully commit himself to other Lewis movies like he does this one.

Synopsis: Bill Miller (Dean Martin) is trying to make it big as a singer. In spite of having a phenomenal voice, he’s just not achieving the type of success he strives for OR the level of fame Bill fully believes Bill deserves!

His luck changes after he’s teamed up with an adorably flighty comic named Theodore (Jerry Lewis). They become a huge success but Bill’s pride is convinced the draw is HIM, not THEM…. and he certainly wouldn’t consider giving “Ted” any credit. Bill’s pride gets in his way and nearly ruins his relationship with Mary (played by the beautiful Polly Bergen) and his career. Mary, as well as everyone else, sees that the success is just as much the stooge‘s credit as Bill’s.

Jerry Lewis’ Ted Hitting the High Notes… as in Assaulting Them!

Too cute for her own good Marion Marshall appears in The Stooge as Genevieve “Frecklehead” Tait, Ted’s love interest and none other than Frances Bavier (Aunt Bee) stas as Ted’s mother. They help round out a very talented and hilarious cast.

As much as I love (love, love, love) The Stooge, I have to admit… it takes a hot minute to get going. Once it hits its stride, though, it’s an especially fun ride. The best part of the ride is, undoubtedly, the wonderful ending.

MOVIE. MAGIC.

I don’t know about you, but my movie motto is this: A movie is only as good as its ending. I’ve never understood why movie makers would settle for anything less than a stellar ending – after all, its the last thing a viewer sees and the first thing they remember.

The Stooge has one of the best endings of any movie and I love every single thing about it.

So does Nacho.

(Concluded Below….)

Jerry Lewis and Dean Martin: Just One More ChanceJerry Lewis called this his favorite Martin and Lewis movie, which is saying a lot since they were all extra, extra, extra special. He believed that this movie best-represented the phenomenon he and Martin had in real life.

Lewis and Martin made 17 movies together between 1949-1956. The Stooge was actually filmed in 1951, but it wasn’t released until 1953. Seems Paramount was entirely sure how this film’s dramatic moments would play out at the box office. Of all the Lewis and Martin movies, The Stooge brings the most drama. This is why, if you’re a huge fan of their comedies like I am, the film seems to take a bit to find its footing. It’s simply not the “one hilarious scene after the other” laughathons we’re accustomed to with their movies.

It is, however, one of the best – which is a real tribute to their talents.

Nacho and I both hope you’ll see this movie soon – whether it’s for the first or fortieth time, the ending will move you.

And don’t you love it when a movie does that?

Marion Marshall, Jerry Lewis, and Dean Martin in The Stooge

The White Sister with Helen Hayes and Clark Gable

May 12, 2017 By Joi

As you’d expect from someone with a Golden Age of Hollywood blog like Hollywood Yesterday, I love old movies (as well as classic television) to distraction. I’m seldom as happy as when I’m curled up in my favorite chair, raspberry tea in hand, losing myself in a wonderful old movie. If you’re as infatuated with them as I am, you’ll know what I mean when I say that I love ALL watching old movies… even ones I don’t particularly “like.”

For example, Mogambo is possibly one of the worst (only in my opinion, mind you) movies I’ve ever seen. My great love for Clark Gable, Grace Kelly, and most of all, Ava Gardner, couldn’t even save this movie for me. And yet…. the time spent watching it was satisfying because, while it was pretty dreadful, it was still an old movie and it still brought old stars of Hollywood into my den. Besides, the Ava Gardner scenes were great – I always think how wonderful the movie would have been if every scene was as dynamic as her scenes.

The White Sister (1933) is nowhere near as bad as Mogambo. In fact, the majority of the movie is a lot of fun. Helen Hayes (Angela Chiaromonte) impossibly adorable and… well.. delightful. I normally don’t think, let alone use, the word delightful – but several times during the movie, I kept thinking, “Helen Hayes, you are delightful as Angela…” Then I’d stop and ask myself, “Did you just use the word delightful?…”

Another plus for the movie is the fact that Clark Gable (a personal fave) is downright lovable in the role of Giovanni Severi. A little trivia – because who doesn’t like trivia – this was the first time Clark Gable appeared in a movie with a mustache.

My problem with the movie is that I wish it had chosen one lane and stayed in it. The movie starts out so light-hearted and fun, you’re left thinking that you’re in for a fun romantic comedy and, if the writing had stayed in this vein, it’d have been a classic.

A few tragic turns and you’re left with something that isn’t romantic or comedic.

Now… again… having said all of that, the movie is still very much worth watching because of the performances of Helen Hayes, Clark Gable, and Louise Closser Hale (a total scene-stealer in the role of Mina). Unlike a lot of movies of the time, the acting in The White Sister was superb. The early days of Hollywood often say, dare we say it, melodramatic performances that can be hard even for those of us who are obsessed with the era to watch. Not one star in The White Sister tries to gnaw or chew on any of the scenery and there wasn’t one single cringe-worthy moment.

(Continued Below…)

Helen Hayes and Clark Gable, The White Sister

Plot: Angela Chiaromonte (Helen Hayes), is the beautiful, overly-sheltered daughter of a Prince. She falls for Giovanni (Clark Gable) and his zest for life, in spite of herself. When he is reported killed in action in World War I, she is consumed with grief and becomes a nun.

The White Sister is directed by Victor Fleming (Gone with the Wind), which helps explain why the acting is so superb.

What I love about the movie: Helen Hayes, Clark Gable, and Louise Closser Hale do a wonderful job with their roles. They are excellent. The characters are lovable and you can’t help feeling drawn to each one. The clothes are also very memorable – the wardrobe department outdid themselves.

What I didn’t love about the movie: I’d have preferred it if the entire script had stayed light and romantic. The story was at its best when the characters and viewers were having fun.

Is the movie worth seeing? Absolutely. If you love old movies, Helen Hayes, and/or Clark Gable (and especially if, like me, you adore them all!) – you should see this movie right away. Will it become your favorite old movie of all time? Pretty doubtful.

But Helen Hayes is delightful. Perfectly delightful.

Two-Disk Set on Amazon:

Two legends of “Old Hollywood,”Lillian Gish and Helen Hayes, take the same role of Angela Chiaromonte, 10 years apart in The White Sister 2-disk set.