Golden Age of Hollywood
Lee Remick
The wonderful Lee Remick made her film debut in the 1957 film A Face in the Crowd. She was just 21 when the movie premiered. To prepare for the role as a baton twirler, Remick spent two weeks on location, living with a teen twirler and her family. She used the time to work on her baton twirling and on perfecting the local accent.
This movie also marked Andy Griffith’s film debut.
You can find A Face in the Crowd on dvd (Amazon link) or watch on Prime Video.
Lee Remick
Lee Remick and George C. Scott, Anatomy of a Murder
One of my favorite movies is Anatomy of a Murder (1959, directed by Otto Preminger), starring James Stewart, Arthur O’Connell, Eve Arden, Ben Gazzara, Lee Remick, George C. Scott,
Kathryn Grant, and Brooks West. It’s simply one of the best movies ever made, in my movie-fanatic opinion.
One of the most bumfuzzling things to me involves the wonderful actor (and scene-stealer extraordinaire) Joseph N. Welch who plays the role of the judge in this movie. This was his only film! He made this movie in 1959 and tragically died the following year.
I mean, granted, if you’re going to make ONE film, make it an iconic classic with James Stewart and George C. Scott but dang… we were robbed from so much brilliance from this actor.
This is such an extraordinary movie and, if you love great courtroom drama, it’ll be right up your alley. The script and direction from Preminger are outstanding but the movie gets its real magic from the cast.
James Stewart is outstanding as an unconventional small town lawyer and gives one of my favorite James Stewart performances. The always perfect Eve Arden and Arthur O’Connell are on his team and (as both stars always do) add a GREAT deal to the movie.
Ben Gazzara stars as a husband accused of killing the man who allegedly raped his wife (played to perfection by Lee Remick). He claims he was out of his mind when he did it… but was he? James Stewart is the lawyer who has to keep his hothead client out of prison while keeping his hotblooded wife from blowing everything sky high!
Brooks West and George C. Scott are the prosecutors who are trying to put the husband away by exposing the wife as a liar… among other things.
Brooks West was married to his co-star Eve Arden during this film (they remained married until his death in 1984). Remarkably, as was the case with Joseph N. Welch, this would be the only film Brooks West made. When you watch this movie, you’ll be as astounded by this as I am. These men should have given us many more films!
I simply can’t say enough wonderful things about this cast. Lee Remick, as she did in Sanctuary as Temple Drake, takes her character in many directions – often at the same time and it’s mesmerizing to behold. She created a complex character who was (at once) vulnerable, scared, self-destructive, loving, and flippant. In one particular courtroom scene she went from “devil may care” to “I care more than anything in the world” in two seconds flat.
Mesmerizing.
As a den chair film historian and dining room movie reviewer, nothing gives me greater joy (in the world of films, that is) than seeing an excellent actor or actress sinking their teeth into a great role. This particular film gives MULTIPLE instances of this and is one of the reasons I love it so much.
One of my favorite scenes is pictured above – George C. Scott, as ruthless prosecutor Claude Dancer, is interrogating Lee Remick’s character, Laura Manion. You can get a hint of the levels of talent these two possessed by their expressions. Her look of fear is palpable. He also gives another memorable performance when cross-examining another witness. Phenomenal actor.
I also appreciate the edge-of-your-seat scenes in the courtroom, mixed perfectly with humor (often coming from the wonderful Joseph N. Welch as well as James Stewart).
Due to the subject of rape, this isn’t anywhere near a “family film,” but it is one you will greatly, greatly enjoy.
You can find Anatomy of a Murder on dvd (Amazon link) or watch it right away on Prime Video. Personally? I’d recommend both. You’ll very much want this one in your collection.
James Stewart and Lee Remick
Lee Remick (Temple) and Odetta (Nancy) in Sanctuary
Ready for an understatement? I watch a lot of old movies. A. LOT. OF. OLD. MOVIES. Like most fans of the Golden Age of Hollywood, I watch and re-watch the classic favorites (Gilda, It’s a Wonderful Life, Christmas in Connecticut, The Stooge, Abbott and Costello Meet the Mummy…. what do you mean it’s not a classic… watch your mouth!… etc….). I also have a great affection for jumping into movies no one really ever talks about. “Random” movies like the one I’m telling you about today – Sanctuary from 1961.
Most of the time, I’ll select a random movie based upon a favorite actress or actor starring in the movie (such was the case for Lured, for example.. George Sanders and Lucille Ball are both favorites, so that was an easy pick). A few times, however, either the plot or the fact that I know absolutely nothing about the cast will inspire the selection. This was the case with Sanctuary. Sure, I was familiar with Lee Remick from television but couldn’t recall ever seeing one of her movies. As for her co-stars, not a one of them rang a bell.
It was intriguing enough to make me grab a tall glass of iced tea and settle in.
Lee Remick (Temple) in Sanctuary
While I did enjoy the movie and while I was blown completely away by Lee Remick and Odetta (more about their performances in a minute), make no mistake about it – this is a disturbing movie. There is one “scene” where Lee Remick’s character “Temple” is presumably sexually attacked by a man nicknamed “the Candy Man.” The scene goes black before you actually see anything other than her horrified expression.
That’s disturbing enough, of course… but then Temple falls in love with The Candy Man. In fact, when relaying the story to another character, she basically claims that she was never forced into anything. Add this to the murder of a child AND the way race was dealt with in what seems like prehistoric times in some movies and you have a disturbing movie.
However…
You knew there’d be a however, right? Lee Remick’s breathtaking and complex performance as Temple causes you to make sense of where she’s coming from. She’s young with emotions and hormones that are wired for trouble. The job this lovely, innocent-looking actress does with this character is phenomenal. Before I go on raving about her more, just let me remind you that I’ve seen countless movies and even more actor and actress performances in my life. I’m in no way new to movies or the fascinating world of acting.
Odetta (Nancy) in Sanctuary
After watching Sanctuary, I will never be able to talk about an actor or actress giving the performance of a lifetime without mentioning Lee Remick and her multi-layered Temple. She glides from innocent little rich girl to unpredictable hellcat as easily as a professional ice skater glides across the ice.
Another outstanding performance in this movie was turned in by beautiful Odetta. I wasn’t familiar with Odetta before. This talented lady was a songwriter, guitarist, actress, and legendary black folksinger. She was actually trained in opera singing as a teenager. I’m currently looking for movies Odetta starred in and am VERY anxious to hear her sing. Her performance in Sanctuary would have completely stole the movie, if not for Lee Remick’s outstanding work as Temple.
Odetta in Sanctuary
The movie also stars Yves Montand, Bradford Dillman, Howard St. John, and Harry Townes, but make NO mistake about it, it’s the two ladies who carry this movie. Sanctuary is, honestly, worth watching for Lee Remick and Odetta, alone.
Sanctuary, based on the William Faulkner novel of the same name, takes place in the South in the 1920s. The governor’s pampered and adored daughter (Temple) makes a shocking confession to the governor in hopes of keeping a household servant (Nancy) from execution for the murder of Temple’s child and the governor’s grandchild.
Disturbing? Make no mistake about it. Worth watching? Again… make no mistake about it. These are two outstanding performances and, if you love movies, you don’t want to miss them.
Watch the full movie below or on YouTube
My main goal with Hollywood Yesterday is to keep the names, faces, and films of the stars that mean so much to me shining brightly. When I’m guilty of focusing more time on my personal favorites (such as Olivia de Havilland) than other stars, I hope you’ll forgive me. I am, by all indications, very human!
Also, please know that I try to keep my posts (except for book reviews) short and to the point, so you can enjoy the pictures, grab the information, and get back to your life. I don’t appreciate anything that’s overly wordy, so I don’t want to do that to others. For better or worse, I write as I talk, so if you ever feel like you’re reading the words of someone who’s a cross between Lucy Ricardo, Daisy Duck, and a Jerry Lewis character, that’s just because you are!
Wait. What did I just admit to??
Another personal absolute favorite of mine is Barbara Stanwyck. Not only was she beautiful and outrageously talented, she was exceptionally bright, charismatic, and colorful. This growing collection of Barbara Stanwyck Quotes will give you an idea of just how colorful she was!
There’s nothing quite like watching a movie from the Golden Age of Hollywood. Whether it’s a Musical, Western, Comedy, Romance, Film Noir, or Drama – if it’s on, I’m not too far away… with popcorn and raspberry tea in hand and a couple of cats nearby.
Below are a few Old Hollywood movie reviews I’ve done on the blog. There are, as you’d imagine, a lot more to come. – Joi (“Joy”)
We’re in the Money (Joan Blondell, Glenda Farrell)
The Naked Spur (James Stewart, Janet Leigh)
The Prince and the Showgirl (Marilyn Monroe, Laurence Olivier)
The White Sister (Helen Hayes, Clark Gable)
Seven Brides for Seven Brothers (Howard Keel, Jane Powell, Russ Tamblyn, Julie Newmar)
Rio Bravo (John Wayne, Dean Martin, Angie Dickinson, Ricky Nelson, Walter Brennan)
El Dorado (John Wayne, Robert Mitchum, James Caan, Charlene Holt, Michele Carey)
Rio Grande (John Wayne, Maureen O’Hara)
Frankenstein and Bride of Frankenstein (What is it With Me and These Movies??)
The Stooge (Jerry Lewis’ favorite Lewis and Martin Movie… for good reason.)
Critic’s Choice (Hilarious movie starring Bob Hope and Lucille Ball)
To Please a Lady (Clark Gable and Barbara Stanwyck team up in a fast track movie)
Grand Hotel (Joan Crawford, Greta Garbo, John Barrymore, Lionel Barrymore)
Hearts Divided (Marion Davies, Dick Powell)
The Quiet Man (John Wayne, Maureen O’Hara, Barry Fitzgerald)
More Old Hollywood Movie Reviews
Find out just how much I (truly) Love Lucy in the Lucille Ball category. I’m warning you, I call it an obsession for a very good reason…
