Old Hollywood Movie Review | Hollywood Yesterday

Okay, first of all, I know the legendary actor’s name as well as anyone – Sir Laurence Olivier. Many people (I’m not among them I’m afraid) consider him to be the greatest actor of all time. Don’t get me wrong, he was magnificent and I certainly believe he is “one” of the best ever… even if I hesitate to give him the title “the best.”

The man’s name is synonymous with fine acting and for good reason.

Oddly enough, however, the name Marilyn Monroe is synonymous with beauty and sex appeal (again, for good reason) but it’s the rare bird who’d associate her with good acting, let alone great acting.

I guess I’m among the rarest of birds.

Marilyn Monroe was so much more than just a beautiful face. Her intelligence led to her ability to bring so much to each character she portrayed. She simply knew what each character would feel and how they would react to everything and everyone around them.

The Prince and the Showgirl is one of my personal favorite Marilyn Monroe performances, which kind of sucks because Laurence Olivier’s performance makes me cringe. I understand he’s portraying royalty, here, but I’d have preferred royalty with a pulse!

His performance is one of my least favorites in any movie, to be honest. Leslie Howard in Gone With the Wind is right up there, too. The thought of both characters being appealing to ANYONE is hard to buy into.. and yet both characters had beautiful ladies fawning over them.

Please!

Somehow, in spite of a lackluster, stiff performance by one of the greatest actors of all-time, The Prince and The Showgirl is still a pretty cute and enjoyable movie. It is, of course, primarily thanks to MM and her adorable portrayal of the “showgirl.” In fact, the entire rest of the cast (aside from the legend) did a fine job – even those who had only one or two scenes.

I’ve read that MM and LO did not get along at all – he took all kinds of exception to her frequent tardiness and “moods.” I don’t want to believe that this affected his performance, however, because he was the very definition of a professional. Their relationship actually makes me want to read “The Prince, the Showgirl, and Me: Six Months on the Set With Marilyn and Olivier” by Colin Clark.

Book Description: When Colin Clark left college in the 1950s, he got a job as a gofer on the set of the movie The Prince and the Showgirl, starring Marilyn Monroe and Laurence Olivier. The film should have been a box office smash, but even before cameras rolled, things began going wrong–and Clark recorded it all in this beguiling, fly-on-the-wall diary.

New and used copies are available on Amazon, so I’m going to order one SOON.

When I watch The Prince and The Showgirl I always come away with the same question…. “Why is he making his character so painful to watch?!?! Is he trying to win her over or bore her to tears?!”

Marilyn is so fun, lively, and energetic – she makes the screen sizzle and pop when she’s on it. Then, here he comes… dragging the movie, as a whole, down with him.

If you’ve never seen the movie, I hope you’ll watch it soon and see what you think. As I’ve said a million times, old movies and old performances are worth watching even when we don’t love or even like them. There’s always something good or worthwhile about every single movie and in this particular movie, MM and a very strong, lively cast make it worth watching.

In spite of you know who.

As you’d expect from someone with a Golden Age of Hollywood blog like Hollywood Yesterday, I love old movies (as well as classic television) to distraction. I’m seldom as happy as when I’m curled up in my favorite chair, raspberry tea in hand, losing myself in a wonderful old movie. If you’re as infatuated with them as I am, you’ll know what I mean when I say that I love ALL watching old movies… even ones I don’t particularly “like.”

For example, Mogambo is possibly one of the worst (only in my opinion, mind you) movies I’ve ever seen. My great love for Clark Gable, Grace Kelly, and most of all, Ava Gardner, couldn’t even save this movie for me. And yet…. the time spent watching it was satisfying because, while it was pretty dreadful, it was still an old movie and it still brought old stars of Hollywood into my den. Besides, the Ava Gardner scenes were great – I always think how wonderful the movie would have been if every scene was as dynamic as her scenes.

The White Sister (1933) is nowhere near as bad as Mogambo. In fact, the majority of the movie is a lot of fun. Helen Hayes (Angela Chiaromonte) impossibly adorable and… well.. delightful. I normally don’t think, let alone use, the word delightful – but several times during the movie, I kept thinking, “Helen Hayes, you are delightful as Angela…” Then I’d stop and ask myself, “Did you just use the word delightful?…”

Another plus for the movie is the fact that Clark Gable (a personal fave) is downright lovable in the role of Giovanni Severi. A little trivia – because who doesn’t like trivia – this was the first time Clark Gable appeared in a movie with a mustache.

My problem with the movie is that I wish it had chosen one lane and stayed in it. The movie starts out so light-hearted and fun, you’re left thinking that you’re in for a fun romantic comedy and, if the writing had stayed in this vein, it’d have been a classic.

A few tragic turns and you’re left with something that isn’t romantic or comedic.

Now… again… having said all of that, the movie is still very much worth watching because of the performances of Helen Hayes, Clark Gable, and Louise Closser Hale (a total scene-stealer in the role of Mina). Unlike a lot of movies of the time, the acting in The White Sister was superb. The early days of Hollywood often say, dare we say it, melodramatic performances that can be hard even for those of us who are obsessed with the era to watch. Not one star in The White Sister tries to gnaw or chew on any of the scenery and there wasn’t one single cringe-worthy moment.

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Helen Hayes and Clark Gable, The White Sister

Plot: Angela Chiaromonte (Helen Hayes), is the beautiful, overly-sheltered daughter of a Prince. She falls for Giovanni (Clark Gable) and his zest for life, in spite of herself. When he is reported killed in action in World War I, she is consumed with grief and becomes a nun.

The White Sister is directed by Victor Fleming (Gone with the Wind), which helps explain why the acting is so superb.

What I love about the movie: Helen Hayes, Clark Gable, and Louise Closser Hale do a wonderful job with their roles. They are excellent. The characters are lovable and you can’t help feeling drawn to each one. The clothes are also very memorable – the wardrobe department outdid themselves.

What I didn’t love about the movie: I’d have preferred it if the entire script had stayed light and romantic. The story was at its best when the characters and viewers were having fun.

Is the movie worth seeing? Absolutely. If you love old movies, Helen Hayes, and/or Clark Gable (and especially if, like me, you adore them all!) – you should see this movie right away. Will it become your favorite old movie of all time? Pretty doubtful.

But Helen Hayes is delightful. Perfectly delightful.

Two-Disk Set on Amazon:

Two legends of “Old Hollywood,”Lillian Gish and Helen Hayes, take the same role of Angela Chiaromonte, 10 years apart in The White Sister 2-disk set.